Josh Becker: Q & AName:             Nikolay Yeriomin. E- mail:            nikolayyeriomin@gmail. Date. 6/5/1. 6Dear Josh : Loved previous q& a's with Keith and Tim because it is quite an interesting "food for thoughts". If it is okay, I have a few comments and questions regarding what they were writing, so this message may be a little bit long (I hope that it may be separated if that will be more comfortable for you and/or webmasters). Firstly, regarding Alfred Hitchcock (by the way, my all- time favorite director) - it should be noted that "Hitchock/Truffault", even though it is one of the greatest books on Hitchcock and movie- making in general is quite flawed by one thing in nearly any translation, that thing being the fact that all of the Hitchcock statements were translated in French and then book was again translated in English from that translation, so at times what Hitchcock actually said was somewhat paraphrased and may have affected the sense of a few statements.

Secondly, a little thought on Hitchcock's movies - last summer I've discovered that I've actually haven't seen that much of his directorial works, mainly because in cases of one of the favorite directors dying or working rarely I usually postpone some movies in advance, just to have a few if I'll have some specific mood. In case of Hitchcock, though, I understood it was quite pointless, because if counting his TV episodes and some other things he has quite a big filmography. So, I've started a tradition of sorts that I hope to continue this year - to pick five Hitchcock directorial works (from each decade of his career excluding the 7.

• Is there a desert you wouldn´t walk across to spend five minutes with either of these beauties? In appreciation for your help, I invite to watch videos of this.
• Name: Jason Roth E-mail: oxboy30@gmail.com Date: 10/23/17. Dear Josh : When I read "We Are The Dead," I.

I've seen everything) mostly at random and watch them on and around his birthday. Watch Jesse James: Lawman Download more. What I've picked in 2. The Pleasure Garden", "Jamaica Inn", "Spellbound", "The Trouble with Harry" and an episode of "Startime" named "Incident at a Corner".

I can highly recommend each one of them (though "Spellbound" is probably the better one of them), but "Incident at a Corner" is especially recommended because it is mostly overlooked and forgotten, despite this little gem is actually pretty impressive. Thirdly, while I can understand your and Tim's concern of culture being "rotted", I have some optimism for it and I just believe that we're living in a period of quite a big shift and it's hard to judge the society which is in a constant stress and undergoes a process of certain social and cultural mutations. I'm quite concerned about culture as well because, well - mainstream culture seems less and less appealing to me. Especially since younger people (of which I am, to some unfortunate extent) seem less and less tolerant to more individual and "unconventional" tastes and will try to force you to watch what they like, massively overreacting if you dislike their choice, forgetting that anyone has right to choose what he or she wants to watch. I'm quite tired of people shaming me for my dislike of "Game of Thrones" and "The Walking Dead" - while both series are very popular and acclaimed I just can't find anything of strong interest in both of them (not to mention that people fail to notice how much "Game of Thrones" is derivative to works of William Shakespeare) so I don't have a point to watch them. But I hope that such "Age of Overreacting" will eventually pass and we'll have some kind of renaissance. I don't lose that hope because, well, even my dorm roommate (1.

I'm of the same age gap and yet I can easily watch anything regardless of time period) loved "Lawrence of Arabia" and is amazed by Buster Keaton stunts (despite him being a parkour practitioner he just can't understand how some of them were executed) and another one of the same age is reading a lot and tries quite thoughtfully to compare and balance mainstream, independent and classic art. One of my best friends who is essentially of my age disliked "The Hateful Eight", by the way and while I was okay with that movie I can totally see why and approve both his and yours concerns about it. Fourthly as you've asked for someone to pick ten greatest movies and albums of the past ten years (that should be the period of 2. I guess?) I might as well try to name at least movies. But I should warn you that I'm casually watching some movies two or three years after the initial release, so I'm quite surely missed at least a few great titles.

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Tarantino's screenplay True Romance was optioned and the film was eventually released in 1993. The second script that Tarantino sold was for the film Natural Born. This is a classic story of the responsibilities of power, acquiring true wisdom and finding redemption through sacrifice. In English the The Monkey King "The Legend. Cyberbully Full Movie.

I'm also subjective, of course and will try to balance those movies which both I've found great and at least some significant amount of people enjoyed a lot as well, trying hard to limit it for one- two movies per year. My picks are (in chronological order): 1."Shaun of the Dead" (2. Dir. Edgar Wright (UK); 2."Takeshis'" (2.

Dir. Takeshi Kitano (Japan); 3."A Scanner Darkly" (2. Dir. Richard Linklater (USA); 4."Reign Over Me" (2. Dir. Mike Binder (USA); 5."Serce na dloni" (2. US as "And a Warm Heart" though the translation is "Heart in the Hand") Dir. Krzysztof Zanussi (Poland); 6."Drive" (2.

Dir. Nicolas Winding Refn (USA); 7."Fire. Crosser" (Toy. Khto. Proyshov. Kriz. Vohon) (2. Dir. Mykhailo Illienko (Ukraine); 8."L'écume des jours" (2. Watch Mit Moon Online Hulu there. US as "Mood Indigo", though the translation is "The Foam of Days") Dir. Michel Gondry (France); 9."The Guest" (2. Dir. Adam Wingard (USA); 1.

Mad Max: Fury Road" (2. Dir. George Miller, (Australia and USA). The problem is - great rarely equals life- changing personal favorites - if you'd asked to put a list of ten personal favorites a fewer of those will move from one list to another. Yours sincerely,Nikolay Yeriomin.

Korean TV Dramas in U. S., Europe Focus. On March 2. 7, Wolmido Island off the coast of Incheon, South Korea, hosted a feast featuring 3,0.

It was a corporate event for the 6,0. Chinese cosmetics company, part of a weeklong themed trip inspired by the smash hit Korean TV soap My Love From Another Star. Chicken and beer are the daily staples of the series' heroine, who, as the title suggests, falls in love with a beautiful (though anti- social) alien. Since it began broadcasting in China in 2. Seoul Broadcasting System (SBS) has been credited for a 2. Korean beer exports to the middle kingdom. Korean TV dramas and entertainment programs have long been a hot commodity across Asia and have inspired cult followings across South America, the Middle East and even parts of Africa.

International sales of Korean shows generated $1. Korea Communications Commission. Now the U. S. and European industries are looking to catch the Korean wave. Last month, ITV Studios licensed Korean supernatural cop drama Who Are You for a remake, the first time a Korean fiction series has been licensed for the U.

K. The original series stars So E- Hyun as an elite policewoman who, after awakening from a six- year coma, finds she can see and speak with ghosts. She's teamed up with a skeptical junior detective (played by Taec. Yeon). The ITV deal was the latest European license for a Korean drama struck by by Eccho Rights, the Swedish rights group that has found a lucrative side business in selling shows form new boom territories (South Korea, Turkey) to European broadcasters. Eccho previously signed a deal with Endemol Shine in Italy to develop a local version of Korean series Ice Adonis, about a woman who is betrayed by her stepsister and loses everything. The show has already been successfully adapted for Ukrainian TV, where it was a ratings hit in 2. Korean dramas have storylines that are quite original. They are not afraid to make surprising twists and turns, and they are very cleverly done in general,” said Nicola Soderlund, managing partner at Eccho Rights.

The pacing also helps. They are not as slow as is very often the case in other territories."In 2. ABC greenlit an adaptation of My Love From Another Star, handing out a remake script commitment with a penalty attached. Park Ji- eun, creator of the original series, was on board to executive produce, but the show didn’t make the cut for the following TV season.
The same was true for ABC's planned remake of time travel thriller Nine: Nine Time Travels, CBS' medical drama based on the Korean series Good Doctor and CW's U.

S. version of Oh My Ghostess, a rom- com series with a supernatural twist (shy girl gets possessed by spirit of virginal ghost determined to get laid)."It's not surprising that these American remakes aren't immediately happening," said Korean pop culture critic Kim Bong Seok. Korean dramas remain a niche genre outside of the country. Series like My Love From Another Star feature elements of fantasy that appeal to Asian viewers, while their conservative depictions of romance and family values and the toned- down violence resonate with Middle Easterners. The melodrama seems to strike a chord with telenovela- watching South Americans."For an American audience, however, Korean TV can be an acquired taste."Korean dramas focus…less on the over- sexualization you see in Western entertainment, and there is much less violence," said Park.

A full season for a Korea show is often just 1. American networks looking to stretch a narrative to fit their 2. The milestone to say the Korean industry has achieved global status is getting some remake done in the U. S. None of them really passed the initial pilot stage,” said Suk Park, co- founder and president of Drama. Fever, a video streaming site specializing in Korean TV series that has licensing deals with all three major Korean TV networks. In Western countries, [the audience for Korean dramas is] still much more of a pure online base.”Angela Killoren, COO at CJ E& M America, explained: "The real popularity of K drama started from just the original dramas being made accessible online. Then people started hearing about these incredible numbers - - millions of people a month out of the U.

S. and all these countries outside Korea watching, and people were very intrigued." And that has led to interest in remakes. But that audience watching Korean shows online is already substantial - - and growing.

According to a November 2. Korea Creative Content Agency USA, approximately 1. Korean dramas in the U. S. through Drama.

Fever. Earlier this year, Warner Bros. Japan's Soft. Bank. Viki, another streaming service specializing in Korean drama, recently picked up U.

S. rights to another hit series, Descendants of the Sun, which Drama. Fever also offers. The larger- than- life romance, currently airing on Korean Broadcasting System 2 , has sold to 3. U. K., France, Italy, Germany and Spain. John Duncan, co- director of UCLA's Center for Korean Studies, sees a parallel between the growth in online niche markets for Korean series in the U. S. and the similar 1.

U. S. subculture around Japanese animations."Kids today, even in remote parts of the U. S. where there aren't Koreans, are downloading Korean films and dramas," he told The Korea Times."Here in Hollywood, the hunt is on for new stories," Killoren said. There are these stories coming out of Korea showing that they do have global appeal, which has people looking. And a lot of people we talk to in TV, when they watch them, they say they are also into these dramas and binge- watch. One of the writers we work with, she started really getting into this drama herself and said, I need to adapt this."Added Park: "Everyone [in the business] is looking for different stories. There is sort of a sense of general fatigue and that the same stories have been told the same way over and over again."
Why hasn't there been a major remake of a Korean drama in the U.

S. yet? "A lot of people are watching the originals, but people also watch a lot of stories in their own language, and that becomes this source of remakes potentially," said Killoren. That said, there is a lot of competition, and a lot of things go into development and don't necessarily come out. We're still waiting for our first real Korean drama to hit the main stage, but we are pretty hopeful that that's going to happen very soon."Korea's non- scripted television has been more successful. NBC picked up Grandpas Over Flowers, a senior citizen travelogue reality show, making it the first non- scripted Korean format to be adapted by a U.

S. network. William Shatner, Henry Winkler, George Foreman, Jeff Dye and Terry Bradshaw signed on to star in the U. S. version, entitled Better Late Than Never, and traveled through major cities in Asia.

Parts of the U. S. Korea last summer. The actors visited traditional "jjimjilbang" spas and viewed the demilitarized zone separating North and South Korea before moving on to Japan and Hong Kong."Hollywood is always looking all over the for fresh ideas and proven shows," said Keo Lee, development executive at 3. AD, a film and TV production company that is trying to bring Korean formats to the U.

S. "Because of the cultural and industry differences, it is a challenge to adapt shows. It's not easy, but multiple parties are trying, and sooner or later it'll happen.".