Age of Mythology (AoM) is a mythology-based real-time strategy video game developed by Ensemble Studios and published by Microsoft Game Studios. It was released on. Need for Speed: Hot Pursuit 2 is a 2002 racing video game, serving as the debut Need for Speed title from EA Black Box, and the first Need for Speed game for the. Search or upload videos. Popular on YouTube: Music, Sports, Gaming, Movies, TV Shows, News, Spotlight. Browse Channels.

Directed by Samuel Maoz. With Yoav Donat, Itay Tiran, Oshri Cohen, Michael Moshonov. During the First Lebanon War in 1982, a lone tank and a paratroopers platoon are. Directed by Scandar Copti, Yaron Shani. With Fouad Habash, Nisrine Rihan, Elias Saba, Youssef Sahwani. Ajami is the religiously mixed community of Muslims and.

Age of Mythology - Wikipedia. Age of Mythology (Ao.

M) is a mythology- based real- time strategy video game developed by Ensemble Studios and published by Microsoft Game Studios. It was released on October 3. North America and a week later in Europe.[3]A spin- off from the Age of Empires series, Age of Mythology takes some of its inspiration from the myths and legends of the Greeks, Egyptians, and Norse, rather than from actual historical events.[4] However, many gameplay elements are similar to the Age of Empires series. Its campaign follows an Atlantean admiral, Arkantos, who is forced to travel through the lands of the game's three cultures, hunting for a cyclops who is in league with Poseidon against Atlantis.[5]Age of Mythology was commercially successful, going platinum four months after its release after selling over one million units.[6] In 2. Age of Mythology: The Titans. On May 8, 2. 01. 4, Age of Mythology: Extended Edition was released for Windows via Steam. This was followed by a second expansion pack, Age of Mythology: Tale of the Dragon, released on January 2.

Gameplay[edit]. In this screenshot, an Egyptian town under attack by the Norse, defending itself using the meteor god power. Like many other real- time strategy games, Age of Mythology is based on defeating enemy units and towns, building your own units and towns, training villagers and fighters. In this way, players are able to defeat and conquer rival towns and civilizations. Players advance their tribe through four "Ages": starting in the Archaic Age, the player may upgrade to the Classical Age, the Heroic Age, and finally, the Mythic Age.

Each upgrade to a higher Age unlocks new units and technologies for the player, which strengthens their settlement. However, upgrading requires a sum of resources to be paid and a certain prerequisite building to be constructed.[7]There are three playable cultures in Age of Mythology: the Greeks, Egyptians, and Norse. Each culture has three "major gods"—important deities such as Zeus or Odin. The player chooses their major god before the game begins. Every time a player advances to the next age, a "minor god" is selected. Minor gods are slightly less significant historically than their major counterparts.

Some minor gods include Bast and Aphrodite.[8] All gods grant the player unique technologies, myth units, and a unique "god power"—A one- time special ability that can either damage an opponent, or benefit the player that uses it.[9]There are four major resources in Age of Mythology: food, wood, gold, and favor; unlike previous games by Ensemble Studios, this game does not include the stone resource. Resources can be used to train units, construct buildings, and research technologies, among other things. Civilian units—namely, the Greek villagers, Norse gatherers and dwarfs, the Egyptian laborers, and fishing boats—are used to gather resources. Hunting animals, gathering berries, harvesting livestock, farming, and fishing are all methods by which food can be gathered.

Wood is gathered only by chopping down trees, and gold is gathered from either gold mines or from trade. Players can purchase upgrades that increase the rate of gathering these resources. Favor is acquired in different ways by different cultures: Greek players gain it by having villagers pray at temples; Egyptian players earn it by building monuments; and Norse players receive it by fighting/hunting animals or by possessing heroes.[1.

Resources can be exchanged at a player's market, with the exception of favor. Every unit in the game takes up between one and five "population slots".[1. Building additional houses or Town Centers—the main building in a player's town—increases the population capacity, up to a maximum of 3. Units can be classified into seven categories; infantry, archers, cavalry—the three of which are broadly classified as human units—siege units, naval units, heroes, and myth units (monsters and other creatures from mythology).[1. The rock- paper- scissors model governs most units in battle.

For example, infantry do additional damage to cavalry, cavalry do additional damage to archers, and archers do additional damage to infantry. The same rock- paper- scissors formation exists in the three different types of naval units—arrow ships, siege ships, and hammer ships. Siege units are generally exempt from the rock- paper- scissors model but are instead able to destroy buildings easily while being vulnerable to cavalry attacks. Watch Dogfight Download here. Heroes are extremely effective against myth units, which in turn do large amounts of damage against human units.[1.

Heroes are also able to collect relics, which grant the player additional economic or military bonuses when deposited in a player's temple.[1. Most units can be upgraded, making them better at certain tasks.[1. Buildings[edit]Buildings in Age of Mythology can generally be split into three categories: economic, military, and defensive. The most important economic building is the Town Center, which is similar to the building of the same name in the Age of Empires series games. Most civilian units are trained at the Town Center, as are some improvements. Most importantly, players advance Age via the building. The Town Center provides 1.

In the Heroic Age, players may claim settlements (unclaimed Town Centres) for additional population slots. In some cases owning all town centres will trigger a countdown to victory.[1. Other economic buildings include the farm and market. Buildings are able to research improvements, as well as provide resources for the player.[1.

All units except civilians and myth units are trained at military buildings. These buildings differ in name and purpose between culture, but all are able to train similar units. Military buildings are also used to research military specific technologies, such as armor upgrades, and attack improvements.[1. Walls and towers are defensive structures, which are not able to train units, and are used only for the purposes of defense. They are able to research some upgrades, although these are generally only useful to the building performing the research.[1. Another type of building available to players, is a Wonder: a grand building that represents an architectural achievement of the civilization.

In certain game modes, once a player builds a wonder, a ten- minute countdown begins. If the wonder is still standing after the countdown ends, the player who built the wonder wins.[1.

Scenario editor[edit]. Watch Tears Of The Sun Online Free HD on this page.

Lebanon (2. 00. 9) - IMDb. Lebanon is based on director Samuel Maoz's own experiences as a soldier in the 1. Israel- Lebanon conflict. The film focuses exclusively on the experiences of the four young Israelis that are responsible for operating a tank that rolls into Lebanese territory at the start of the war.

For almost the entire duration, the characters and the audience are trapped inside the vehicle; we can see only what they can externally through the narrow tunnel vision of a gun turret periscope. With no wider political context and little character background, this viewpoint successfully creates a claustrophobic, tense atmosphere and provides originality and intrigue to what might have been overlooked as 'another war film'. The soldiers, confined to the tank, are inexperienced, tired, hungry, thirsty, scared, homesick, dirty, feverish and unable to work competently as a team. In the opening scene, their collective callowness leads to the deaths of a fellow soldier and an innocent civilian.

From here, difficulty after difficulty presents itself in the form of hostile forces, indignant superior officers, technological issues and internal disputes. The way the characters respond, the powerful use of imagery - and the contrast between the constant mechanical noise and darkness inside the tank, and the bright environment and varied action outside - combine to shape a potent viewing experience.